Safety Curtain

"Safety Curtain" is an exhibition series conceived by museum in progress in cooperation with the Vienna State Opera, which transforms the safety curtain into a temporary exhibition space for contemporary art. For the 28th Safety Curtain, the jury (Daniel Birnbaum, Bice Curiger and Hans-Ulrich Obrist) selected the artist El Anatsui


This year’s Safety Curtain project and the ongoing work of the non-profit organisation museum in progress have been generously supported by El Anatsui through the creation of two limited edition artworks. These wood prints have been developed by the artist from two individual wooden figures from the sculptural installation on which XOHANAMI is based, at the printing studio of Chavanne & Pechmann in Apetlon. Further information is available at office@mip.at, where you can also join the subscription list.

The exhibition series “Safety Curtain” is a project of museum in progress in cooperation with the Vienna State Opera and the Bundestheater-Holding. Jury: Daniel Birnbaum, Bice Curiger and Hans-Ulrich Obrist. 2025/26 made possible with the generous support of iSi Group and Goodman Gallery. Further support from Hotel Altstadt, ART for ART, Bildrecht, Embassy of Ghana in Vienna, Schloss Gobelsburg and SO/ Vienna. Media partners: Bloomberg Connects, Die Furche and Die Presse. 

In 2002/03 museum in progress presented a "Safety Curtain" by the artist duo Michael Elmgreen and Ingar Dragset at the Komische Oper Berlin. Curator: Ina Blom. In 2019 the Safety Curtain "Helen & Gordon" by Dominique Gonzalez-Foerster (from 2015/16) was newly presented at the Opéra Théâtre de Metz in cooperation with the Centre Pompidou-Metz.

The large-format pictures (Vienna: 176 square metres, Berlin: 90 square metres) are produced and installed using an innovative process: The images are printed on plastic-nets and they are fixed with magnets on the safety curtain.

Editions of some works from the exhibition series "Safety Curtain" have been published at museum in progress, see: mip.at/en/shop.

Production: Trevision; Digital Imaging: Albert Winkler


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