Romuald Hazoumè, Chênnai, 2024/25, Autlan de Navarro, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 122, 123, magazine multiple
Photo: Rudolf Strobl, Copyright: museum in progress
Romuald Hazoumè, Kongo, 2024/25, Thal, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 124, 125, magazine multiple
Photo: Rudolf Strobl, Copyright: museum in progress
Marina Faust, resolved rivalry, 2025, maybe bluff, maybe bless, 2022/25, Making Chapters, museum in progress, Chapter XIII, pp. 126, 127, magazine multiple
Photo: Rudolf Strobl, Copyright: museum in progress
Marina Faust, unknown buyer, 2024/25, two hours to kill, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 128, 129, magazine multiple
Photo: Rudolf Strobl, Copyright: museum in progress
Romuald Hazoumè, Chênnai, 2024/25, Autlan de Navarro, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 122, 123, magazine multiple
Romuald Hazoumè, Kongo, 2024/25, Thal, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 124, 125, magazine multiple
Marina Faust, resolved rivalry, 2025, maybe bluff, maybe bless, 2022/25, Making Chapters, museum in progress, Chapter XIII, pp. 126, 127, magazine multiple
Marina Faust, unknown buyer, 2024/25, two hours to kill, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 128, 129, magazine multiple
In the issue "Identity" of the design magazine Chapter, Romuald Hazoumè and Marina Faust explore the concept from an artistic perspective: Hazoumè addresses migration, globalization, and postcolonial realities through his heads made from "bidons", while Marina Faust understands identity in her portraits as something composite, changeable, and never complete.
